SEKT.
[/vc_column_text][/vc_column][vc_column width=”1/2″][/vc_column][vc_column width=”1/4″][/vc_column][/vc_row][vc_row bg_pattern=”none” margin_top_row=”-40″ padding_top_row=”20″][vc_column width=”1/4″][vc_column_text]“The Metal Musical” – With the concept of alien invasion and destruction, used in the story of SEKT, Cyclus applies shock-therapy as a medium to convey its message.
The suggestion that all of humanity will be erased by an alien protector of life, as a punishment for our insolent dominance, is just a metaphor. Or is it?
[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text]The choice for this story line emerges from a deeper sense of social engagement and a desire to describe the detrimental effects of human supremacy and error on the planet and the resulting feeble state of our psyche.
It is an investigation into how humans destroy the planet, nature, wildlife and eventually themselves.
[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text]SEKT quickly took on a narrative of its own but was loosely based on the motion picture ‘The day the Earth stood still’ (1951 – Based on a story by Harry Bates – Directed by Robert Wise).
The visual language of the band reaches back to the old school sci-fi designs, with a twist.
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